Showing posts with label LPs. Show all posts
Showing posts with label LPs. Show all posts

Monday, May 1, 2017

101 Albums I Would Definitely Replace In Case of Emergency

Yes... this is another list of albums that claims to be the best, but not in the traditional sense of a "best of list".

Instead of assuming that you and I share the same musical tastes and push a specific agenda upon you, I am going to share with you my list of the first 101 vinyl records I would replace in the case of an emergency.

So what type of emergency? The water damage or a raging house fire type of emergency? I am talking about a catastrophic calamity that destroys my entire collection of over 800 albums (as of this writing).

These are the albums, in descending order of importance to me (so the first album listed is the last one I would purchase), These are the albums I would purchase before I purchased any of the others in my collection of of over 800. These 101 Albums are of such importance to me that they literally would be my first acquisition right after a new bed, clothes, refrigerator and new stereo.

So even if somethings appears early in the list (in the 90-101 range), it doesn't mean it is a priority. It takes priority over the other 700+ albums that didn't even make this list.

So without further hesitation... here is my list of 101 Albums I Would Definitely Replace In Case of Emergency.
  1. Pixies: Come on Pilgrim
  2. Scorpions: Blackout
  3. Stevie Wonder: Songs in the Key of Life
  4. Van Halen: 1984
  5. The Doors: Weird Scenes Inside The Gold Mine
  6. The Beatles: Sgt. Pepper’s Lonely Hearts Club Band
  7. Big Star: Complete Columbia: Live At University Of Missouri 4/25/93
  8. Bruce Springsteen: Live/1975-85
  9. Sountrack: Popeye
  10. David Lee Roth: Crazy From The Heat
  11. Phil Collins: No Jacket Required
  12. Sammy Hagar: VOA
  13. Soundtrack: FM
  14. Steppenwolf: Gold (Their Greatest Hits)
  15. Thin Lizzy: Jailbreak
  16. Van Halen: Diver Down
  17. Sarah Vaughn: After Hours
  18. Van Halen: Women and Children First
  19. Simon and Garfunkle: Greatest Hits
  20. The Rolling Stones: Out of Our Heads
  21. The Beach Boys: Endless Summer
  22. Jimi Hendrix: Are You Experienced
  23. ZZ Top: Tres Hombres
  24. Soundtrack: The Blues Brothers
  25. Black Oak Arkansas: Raunch 'N' Roll Live
  26. Elton John: Goodbye Yellow Brick Road
  27. Johnny Cash: Johnny Cash At San Quentin
  28. Led Zeppelin: Untilted (known commonly as IV)
  29. Joan Jett and Black Hearts: I Love Rock & Roll
  30. INXS: Kick
  31. George Thoroughgood and the Destroyers: George Thoroughgood and the Destroyers
  32. Mötley Crüe: Shout At The Devil
  33. Neil Young: After the Gold Rush
  34. Otis Redding: The History of Otis Redding
  35. Van Morrsion: Moondance
  36. Dinah Washington: Unforgetable
  37. Blind Faith: Blind Faith
  38. Bette Midler: The Rose
  39. Big Star: Complete Third - Vol. 1: Demos To Sessions To Roughs
  40. The Ozark Mountain Daredevils: The Ozark Mountain Daredevils
  41. Rob Rombie: The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser
  42. Tracy Chapman: Tracy Chapman
  43. Blue Cheer: Vincebus Eruptum
  44. Foreigner: 4
  45. The Honey Drippers: Volume One
  46. Soundtrack: Natural Born Killers
  47. Van Halen: II
  48. Twisted Sister: Come out and Play
  49. Twisted Sister: Stay Hungry
  50. Soundtrack: It Follows
  51. Sex Pistols: Nevermind the Bullocks Here's the Sex Pistols
  52. Bob Dylan: Blonde on Blonde
  53. The Rolling Stones: Story of the Stones
  54. Toto: Toto IV
  55. Quiet Riot: Metal Health
  56. Santana: Abraxas
  57. Red Hot Chili Peppers: Mother's Milk
  58. Eric Clapton: The History of Eric Clapton
  59. Dire Straits: Brothers in Arms
  60. Prince: 1999
  61. Nina Simone: Black Gold
  62. John Cougar Mellencamp: Uh-Huh
  63. Guns n' Roses: Appetite For Destruction
  64. Black Sabbath: Black Sabbath
  65. The Beach Boys: Animal Sounds
  66. AC/DC: Dirty Deeds Done Dirt Cheap
  67. The Alan Parson's Project: Eye in the Sky
  68. Nirvana: Nevermind
  69. Steve Vai: Passion And Warfare
  70. Soundtrack: Big Lebowski Soundtrack
  71. The Police: Every Breath You Take: The Singles
  72. Tears for Fears: Songs from the Big Chair
  73. Paul Simon: Greatest Hits, Etc.
  74. Lynyrd Skynyrd: Gold and Platinum
  75. James Cotton Blues Band: Pure Cotton
  76. Soundtrack: Fast Time at Ridgemont High
  77. Stevie Wonder: Talking Book
  78. Soundtrack: High Fidelity
  79. Daft Punk: Discovery
  80. Bob Dylan: Highway 61 Revisited
  81. Billy Joel: Glass Houses
  82. Steve Miller Band: Anthology
  83. Soundtrack: Clerks
  84. The Rolling Stones: Aftermath (Mono)
  85. Ramones: Ramones Mania
  86. The Rolling Stones: Sticky Fingers
  87. Interpol: Interpol
  88. The Rolling Stones: Aftermath (Mono)
  89. Stevie Ray Vaughan: Couldn't Stand The Weather
  90. Led Zeppelin: Led Zeppelin
  91. Pink Floyd: The Wall
  92. The Beatles: The Beatles (White Album)
  93. Van Halen: Van Halen
  94. The Who: Who's Next
  95. Bob Marley: Legend (The Best of Bob Marley and the Whalers)
  96. Red Hot Chili Peppers: Blood , Sex, Sugar, Magic
  97. White Zombie: La Sexorcisto: Devil Music Vol. 1
  98. Boston: Third Stage
  99. Metallica: Death Magnetic
  100. Pink Floyd: Dark Side of the Moon
  101. Carol King: Tapestry
So that's the list, like it or not. These would be albums I would replace before any others. And while I love all my albums, these would definitely be first to get my cash again. 

What are yours?

Monday, April 3, 2017

The Art of the Hunt: Vinyl Edition

Regardless of what type of collector you are, everyone is after the same thing; quality at a bargain. Be it low prices or awesome treasures, we all want the same thing from our records. I thought I would share some tips with you; valuable strategies I use when I am on the hunt for vinyl.

TIP #1 - Discover New Music At A Bargain

If you are simply looking for good music at great prices, used records at local record shops, thrift stores, garage sales and antique malls are a great place to shop. Picking up a copy of an album for three dollars or cheaper is a steal.

While pickings can be thin from time to time, this method of hunting for vinyl is a really a great way pick music from bands you aren't familiar with for real cheap.

Consider this true story.

A while I back I was digging through my local second hand shop and came across two albums from the James Cotton Blues Band. I had never heard of the band before, but I like blues in general, so at six bucks for both, I was able to score some new blues that I ended up loving.

To find the same two albums on iTunes at $0.99 per song would have cost me nearly twenty dollars. And to buy the vinyl LPs from  Amazon would have cost me fifteen dollars each, plus shipping. So not only did I get some great music for less than one sixth the cost of iTunes and Amazon, I discovered new music that I love.

Or even more recently, I picked up three albums from the band Black Oak Arkansas, a band I never heard of before this time, but instantly fell in love with them, and one of the albums might be one of the best live albums ever captured on record and it cost me nine bucks to open that door to a new love.

Now, I will admit that I have scored some unknown music before that I haven't loved, but the beauty of it is, I only spent six dollars. I can give it to friend. Or, I can take it to a monthly vinyl trade event I attend and someone there will absolutely love this particular album and I can trade it for something else that I did love or something previously unknown to me.

So I still win.

TIP #2 - Relationships Matter

Develop a relationship or relationships with your local shop owners. I'm not talking about some chain store like FYE. I'm talking specifically about your local, independently owned record shop. Try to stop in at least every other week. You don't need to spend money each time you go in, but, of course, it doesn't hurt if you do. Instead make it a point to talk to the staff, ask about music, ask them how business is going.. hell even just ask them about who is playing on the store's sound system. If they have a pet in the shop... greet the pet, get to know it's name. Develop a relationship.

And it can't be fake. You have to care about them as much as you want them to care about you. This doesn't mean you will be best friends forever; invited to birthday parties and exchange Christmas cards each holiday season. Make no mistake, these are, more times than not, consumer/retailer relationships. But they are important relationships.

This is a great way to get the shop to learn what you like, dislike and garner a few favors and recommendations from the retailer. When I talk about favors I'm not talking about freebies. No, don't expect freebies or anything like that. That's just dumb. When I talk about favors, I am talking about favors like spotting something you have been looking for and getting it in the shop specifically for you, or a simple recommendation of a new band based on what you already like.

I was hunting for a particular album for my wife from Dinah Washington. I let the staff at my local shop know (they are also the owners). A few weeks later they called me and said they came across the album as a part of a collection they just bought and that I could come down and pick it up for five dollars.

If you have been hunting for particular band or album from a band and they see one come through; even if they wouldn't normally buy it, they will likely pick it for you knowing you are hunting for it. So not only are you getting a positive consumer/retailer relationship that is built around music, you get an awesome perk like the one I mentioned above to boot.

A bonus tip is to come into the shop educated. Don't ask about "that one album from that one band that does that one song about being a "Creep". Know what you are looking for. Google is your friend. This is especially important for events like record store day. You can find a list of records coming out on record store day... shhhhh... little secret... the list is online. Find the titles you are interested in, and write them down... [more about lists in the bonus tips].Go into your local record store and ask them if they ordered those titles then ask them when they open on record store day (many stores shift their hours on that day).

It shows you know how to research on your own, which shows a serious level of interest and this will garner some respect from the local record store staff.

Tip #3 - Inspect Before You Buy

Always check the condition of the vinyl and make sure the album matches the cover. This of course only applies to used, unopened (not factory sealed) albums.

Due to people buying a record, taking it home and recording it to MP3 (cassettes back in the day), before returning it for a refund, most stores these day don't allow open records to be returned. This makes it every important to look at the condition of a used record before you purchase it, because it is already opened; even if it is from your "friends" at your local record shop. If a store reseals its used albums and refuses to allow you to inspect the vinyl condition before buying...

...take your business elsewhere.

You are checking for two things when you inspect an album;
  1. Is the vinyl in good condition (is it playable).
  2. Does the vinyl match the cover.
So how do you inspect the condition of a vinyl record? Here is what I look for. 
  • Are the grooves well pronounced; is there a luster to the album? If the record looks dull, this could one of two things, it is well worn or it is very dirty. The first of the two, well worn, will impact the sound quality, the second can be taken care of with a good cleaning; or two.
  • Is there warping or a bubble? A minor warp in the record may not affect playback much other than subtle pitch change, if at all. But if it is pronounced warp, or bubble shape, I have found some records that actually catch the tone arm as they spin around, like a high-centered car, picking the needle up and dropping back onto the record. This is not a record you want to buy... even if it's your favorite album from your favorite band.
  • Is there heat damage? Heat damage will present itself around the edges of a record first as they are most susceptible to heat. You will want to look for bubbly pockmarks or "foamy surface" look to the record. 
  • Are there scratches or scuffs? Scratches don't always impact the ability of the vinyl to sound good and not skip. Surface scratches may or may no add a pop or click to the playback, where as a deeper scratch, one that will catch the corner of a piece of paper as it is pushed over the scratch to see if it catches on the scratch, will definitely affect playback and likely add a skip. A lot of people swear by using their finger for feeling scratches, but I found that using the paper technique is fairly fool proof and is my preferred method, as the finger can lose sensitivity in cold or warm weather. More so, longer running LPs, those over 20 minutes per side, tend to be cut with shallower grooves, so a slight scratch will likely be more audible than those with a run time of under 20 minutes per side. Also, the type of music matters when dealing with scratches. Acoustic albums will likely do little mask the clicks and pops of a scratch than a rock or metal album will. 
More about the matching of vinyl to the cover.

I'm not saying that your local record store would intentionally put a record from Madonna into a Red Hot Chili Peppers' sleeve but another customer of the store might. And who knows... I am sure there are some stores of disrepute that might do that as well, but their reputation usually puts them out of business in short order. I have found a copy Conway Twitty vinyl LP in the cover of a Led Zeppelin album before.

And if you are diving for vinyl at thrift stores or flea markets and garage sales; this is very important as many of these sellers do not look at the condition of the vinyl, let alone make sure the album in the sleeve is actually the right album before putting them out on the shelf. I can't tell you how many times I have found an album I have been looking for at a thrift store only to pull the vinyl out to see it is unplayable; scratches, warps and even once, actually broken in half, plus the number of albums in the wrong sleeves. 

Tip #4 - Manage Your Expectations

When you go digging into record bins, don't expect to find anything. The only expectation you should have going into a dig is that regardless of what you may find, you won't over spend. Sticking to a budget can be hard, but you won't need your collecting to bankrupt you. 

This is very important as hunting can hit some serious dry spells. I have gone as long as three months without a single find. Sure there were bands I found that I liked during the digs, but the albums were in poor shape (not playable) or I already owned that album from them. As your collection gets bigger and your ears desire higher quality sound from your albums these dry spells can become longer and drier, because you already have so many albums and may end up desiring less pops and clicks.

So don't expect to find anything. Just enjoy the experience of the hunt and if you come home with a treasure, cherish it for what it is; a SCORE! 

Tip #5 - Keep a list or two with you at all times.

This list, best kept as a spreadsheet, but even alphabetically sorted notepad list can work, contains two lists; wants and haves. 

Buying duplicates can be rewarding if you find a better copy of an a album you already own, but when it's unintentional it becomes a face-palm moment when you get home.

While it may be easy to manage your collection in your head when you only have a dozen bands in your collection, but when your collection consists of seven hundred or more albums and includes hundreds of artists, you may struggle to remember if you have Johnny Cash's Songs of Our Soil album, when you already own over twenty of his other albums.

I have only had one instance where I purchased a duplicate accidentally. Simply because I couldn't remember if I had Dan Fogelberg's Phoenix or not. Well I purchased a duplicate. At that time I wasn't expecting to go hunting, but my wife convinced me to stop in and do a little digging; it didn't take much convincing really. But, I had left my phone at home so didn't have my list with me. I didn't fret too much. The album was only two dollars... and I just gave it to a friend who had been looking for it.

The lists are simple to keep and simple to access. I use Discog to keep track of my collection and keep track of my wishlist. They have an awesome export function which allows you to quickly download your collection and wish lists to an excel or notepad format, which is important if you don't have enough cellphone signal to look directly at the Discog's site where your digging at the time... and I have been known to drive out into the wilderness to dig for vinyl, or even a basement, so a lot of times, I don't have signal.

Also... keeping a want list is important, especially if you have a limited budget and are struggling to cull the stack of records you are holding in the middle of your local record store or garage sale because you can't afford them all. Your want list will make sure you don't put down that one or two records you definitely wanted.

So there are five great tips for hunting that I have learned through my experiences. But we aren't done yet. Below are three bonus tips I thought I would throw in for good measure.

Bonus Tip #1 - Don't Be A Snob

You have been hunting for that copy of Atomic Heart Mother since you began collecting and you finally found one, but the cover is destroyed so you pass on it. Here is my advise; always check the condition of the vinyl. Even if the cover is destroyed, if the vinyl is playable consider picking up the album.

Here's why; you can easily find orphaned covers for an album pretty cheap and typically if the record's cover is in bad shape, you will get the record cheap. It's a great, albeit more timely way to score an otherwise expensive album on the cheap; cheap vinyl + cheap cover = cheap album.

Bonus Tip #2 - Negotiate
I can't say "Always attempt to negotiate on the price", because you won't want to be "THAT" customer for a retailer, but what I can say is when it comes to thrift stores and garage sales, it never hurts to ask. All they can ever say is "No."

This is something you can't do with online shopping at iTunes or Amazon as the price is the price online. And it's not something you want to do "all the time", and actually never with new pressing, when dealing with your local record shop, but when it comes to non-retailers, feel free to ask every single time.

Bonus Tip #3 - Be Smart And Prepared To Walk Away

This has to do with with flea markets and garage sale environments. Three strategies regarding these types of sales:
  1. Arrive early
  2. Ask for a lower price
  3. Come back later
Rule number one is simple to grasp. Early bird gets the worm, or in this case, the vinyl. Get there early to score the best albums they have for sale. 

Rule number two is also a simple. See Bonus Tip #2.

Rule number three is a bit more of a calculated risk. The strategy here is to pick the items you definitely want, don't want to risk losing to another. But if the box(es) contain so much good stuff, you can always make an offer that is reasonable. But since you arrived early, they likely won't accept your offer, because someone or many someones might come in and buy many others at full price. So I will pick up the few must have albums, pay for them and walk away happy, thanking them.

Then at the end of the flea market or the garage sale, come back and make a ridiculously low offer on the whole box; like $0.20 a record. Chances are good that they will accept this offer or at least come way down on their asking price. 

Thanks to news articles, many sellers think that there are millions of people clambering to buy all the vinyl in world and thanks to misuse of Discog's site they think they are sitting on a gold mine, because everyone's record is in mint condition. So they put ridiculously high prices on their vinyl. By the end of sale, the seller realizes that there aren't as many vinyl geeks out there as they thought or that their collection doesn't contain all that gold. Let's face it, the brat pack isn't as popular as they were back in the 60s and 70s. 

Most sellers don't want to have to handle the heavy boxes of vinyl at the end of a sale. So chances are good that they will cut a great deal near the of their sale. And if you paid full price for a few albums and walked away happy earlier in the day the seller is likely to cut an even better deal than if you stomped off in a huff earlier in the day when they wouldn't lower their prices.

So that's all I have for now. I hope you find this useful.   








Sunday, March 26, 2017

Audio on a Budget

As you may have found during your own research; audio components can get expensive; very expensive.

This is especially true if you buy into the hype around high end audio manufacturers like McIntosh and equipment like tube pre-amps or the market-flood of new turntables. A lot of high end equipment starts at $300 and rapidly climbs to $10,000 per component.

I cringe on the inside every time someone points to their turntable and says they paid $600 for it.

I am here to show you how you can build an entire audio system for under $100. This isn't something I did ten years ago. I have been building this system over the last three years... and the last component I purchased was in January 2018.

The fact is, you can get really good sound and performance for very little money. But to do so requires three very important things; time, patience and an idea of what you want.

During this process you need to have a at least a minimum idea of what you want, but not too specific. For instance; I wanted to 70s era turntable capable of automatically dropping multiple albums, but did not specify a brand and model number. Although if you have specific model number in mind, it's not a bad thing, it may just take a little longer to find that specific model for the price point that is in your budget. And that is where time comes in.

The point is; it takes time to find these deals and it take patience to build your system one component at a time. But it's totally worth it.

So lets get going shall we.

Step 1: Getting Started ($20)

I started by buying an entry level  all in one unit at my local thrift store. The goal of this was to hold me over as I assembled my true system. Something that I could play my vinyl and cassettes on.

The unit I bought was an Emerson 5 in 1 vintage style unit, similar to the one in the photo on the right.

When talking quality, these are older versions of what Crosley is doing for record players; cheap ways to get started. These unit's don't sound good in any way, shape or form and usually start to breakdown real fast.

So I tested all the functionality of the unit; The speakers, the turntable, the cd player, the radio and the tape desk. I love the looks and it's compact nature, but it has issues from the get go.

First, the left channel speaker wasn't working, which is fine by me as I was going to plug in 2.1 channel computer speaker, a speaker setup that I already owned, into the headphone jack for a little extra bass kick.

Second, the CD player would play fine for a couple of songs, but would begin skipping around Track 3. I wasn't interested in the unit for the CD player as I don't listen to CDs, but it was good to know this. I really just wanted the turntable, the tape deck and the AM/FM radio would be a bonus.

Third, I couldn't test the tape player that was built into it as the thrift shop didn't sell cassettes and I didn't have one with me.

To top it off, they were asking $39 for the unit. Obviously they didn't know anything about audio equipment and I could use that to my advantage at check out.

Since the record player and radio did work, I took it to register to begin the process of socially engineering a lower price. This involves talking about the components in technical terms to make it sound like I'm an expert, which I am not, but I know enough to sound like one. And since their staff were obviously not aware that both speakers should work and that CD players should stutter, I exploited this advantage.

At the checkout counter I explained that the left channel was not "outputting sound", and that this could be the result of a blown speaker or a driver issue. I also explained the CD player didn't work and that I couldn't test the tape player.

I said I would be willing to pay $20 for the unit considering the work that had to be done on the known issues and that the unknowns would be gamble. I made it clear that I would not be paying $39.

And I bought it for $20, as is. They obviously just wanted it gone.

When I got home I put it through the real test. The left channel didn't work through the headphones either, so I opened it up and found that a single plug needed to be re-seated. I now had stereo output from not only the crappy speakers, but the headphone jack. And as a bonus, the tape deck did work after all and worked well.

So now I had a fully functional record player and tape deck. The sound wasn't great, but with the computer speakers running through the headphone jack, it sounded better, but still not good. What was important was that I could play my growing collection using it and it didn't have huge footprint.

Step 2: The Amp ($10)


An amp is an important component of any system. Without a pre-amp, the amp is what drives not only sound quality, but the power of your system. And let's face it, Carol King requires a quality sound and Metallica requires some power.

I found a Technics SA-DX950 at a garage sale for $10.

This is an amp that delivers 100 watts per channel, with a Speak A, Speaker B, Speaker A+B switch. So that's is 400 watts total stereo output. And, more importantly, it has a classic phono input (one that requires a ground cable) which is important since I am aiming at getting a 70s era turntable that will have a ground cable because it doesn't have a pre-amp built into it.

While this is not the vintage amp I want, it is a capable and quality amp; one I continue to use until I find the vintage amp I want at the price I am willing to pay. And it sounds great. As a bonus, the amp has an optical input, so I can plug my television optical-out into it. Battlefield 1 sounds stellar through this with my speakers.

Step 3: The Tape Desk (Optional) ($10)

I love cassettes. While my cassette collection is small when compared to my vinyl collection, I still love casettes.

I found this tape deck, A Technics M205 at a local thrift shop. It was priced at $19.99. It is a single deck, not a dual deck, which is fine since I don't copy music from one tape to another.

I tested it to make sure that basic functionality was there; the motor turns, the buttons work, etc. But again, I was unable to put a cassette in it see of it played correctly and actually output sound.

So I socially engineered the price down to $10.

When I got it home, it played cassettes flawlessly and sounded crisp and clear. I cleaned the tape head and this is still part of my audio system today.

 Step 4: Speakers ($50)

Speakers play an important role in sound, obviously.

I went through waves of speaker purchases. First up were the generic black speaks on the bottom of the speaker stack. They have a 12" sub, a 4" mid and a 2" tweet in each and a tone processor built into each cabinet.

They also happen to be 4ohm speakers.

I found these at the same garage sale that I found my Technics amp at and they were only $10.

The second set, the silver ones on the top of the stack (which you can barely see in the photo on the left), I found at a local thrift shop. They are actually a set of four speakers (separate right and left channel sub and full range speakers). I originally bought the set for my garage, but they sounded so good they ended up in my room. I scored these bad boys for $20 and these are also 4ohm speakers. So I can pair them with the black speakers to match my 8ohm receiver output.

The last set of speakers, which I purchased this last January (2018), the Technics (wood), I found at newly opened thrift shop. They were priced at $39.99. But once again I socially engineered them down to $20 for the pair. Oh... and they sound amazing.

So for the entire speaker set up, $50.

Step 5: The Turntable ($20)

For the turntable I was very picky. I just picked this (pictured right) up last spring (2016). I went to flea market and found a guy who was selling a Technics SL-1350.

I asked him if it worked, he said it powered up, the platter spun, but he didn't actually hook it up and play a record.

I asked him how much, he said $30. He also pointed to a newer turntable (late 80s model) and said it was $35. I said I have $20 and that's all I would be willing to pay not knowing if the Technics was truly operational. And he agreed.

When I got it home I found it needed some work. The speed at which the turntable spun fluctuated making the record sound like it was going through a warp (speeding up and slowing down). But a little cleaning and some adjustments and it works flawlessly.

Step 6: The Sale ($10)
I sold the original Emerson 5 in 1 unit for $10 to a friend and gave him a three milk crates of records to jump start his collection. He scored big and has since grown his collection exponentially. He also sold the Emerson unit, and purchased a newer turntable, to his brother who has started collecting as well.

Final Tally:

I built a fully functional, 400 watt stereo system, that sounds great and has more than enough power to make my wife say, "The neighbors are going to complain." and I did it all for $110, which includes the original Emerson unit. Without the purchase of that unit I only spent $90.

I didn't do this a decade ago, before records were popular. I didn't do this through buying old stuff from my grandparent. I did this over the last three years buying from thrift stores, garage sales and flea markets.

It is possible in today's world of vinyl popularity to build a system with beautiful sound and ample power on a budget. Sure I could have paid $900 to $50,000 for a complete system, but it wouldn't have been the system I wanted. And the money I saved by building this was put into growing my record collection.

When I started this process my wife would just look at me with that look of, "Again?", every time I walked up with a speaker system or a tape deck. But I applied this same principal when I built her system so she could play her growing record collection. She doesn't look at me like that anymore. She just laugh and asks, "What room are you are you putting this one in?"

The key is knowing what you want and not buying the first thing you come across. Take time to find the right component and always negotiate on the price. It's like buying a car... if the seller won't budge on the price, just walk away.